Saturday, April 17, 2010

Media General Consolidation - a bit more detail

Media General confirmed last week that it would consolidate editing at Richmond and Tampa, leaving Winston-Salem the odd man out.

Here are a few more details I've picked up:
  • Apparently the decision on Tampa reversed course. MG originally feared it could be vulnerable to hurricanes, but there was heavy lobbying, and MG had made investments in Tampa and Richmond that it had not made in Winston-Salem.
  • The 21 Winston-Salem staffers get a chance to move. Those who don't will get severance, and those who do move will get relocation.
  • Media General will roll out CCI among all three papers (it's the system the Tampa Trib now uses). The transition should be done by August.
  • The consolidated desks will be treated as a separate content division, with the managing editor reporting to Donna Reed,  vice president of content.
(Note: Working on consolidated desks and the problems associated with juggling the needs and egos of so many papers came up during my Friday panel at ACES2010. I suggested this would be a good panel for next year at Phoenix, and from Tweets and talking to people, I hear the recruiting of panel members already is going on. This is going to be a major focus next year. By that time, all the major chains and AP will have gone to editing hubs.)

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Wednesday, April 07, 2010

Media General consolidates design/editing of metros

Well, Media General has finally dropped the lopng-awaited other shoe -- it's consolidating design and some editing for its three metro papers:

FOR IMMEDIATE RELEASE
Wednesday, April 7, 2010

Media General to Consolidate Copy Editing and Page Design for its Three Metro Newspapers

RICHMOND, Va. – Media General, Inc. (NYSE: MEG) said today it will consolidate copy editing and page design for its three metro newspapers, The Tampa Tribune, Richmond Times-Dispatch and Winston-Salem Journal.

The consolidated metro editing and design operation will have two groups, one in Tampa, Fla., and one in Richmond, Va. The operation will be led by a single managing editor located at the Richmond facility. Each of the two groups will have primary responsibility for particular sections and pages for all three metro newspapers. The next steps are to select the managing editor, install common production software and establish common design elements that will facilitate production efficiencies. The consolidated operation is expected to start up in the third quarter of this year.

The metro operation will be the third of its kind for Media General. The first became operational in Lynchburg, Va., in April 2009. The second started up in Hickory, N.C., in October, 2009. At this time, 12 of Media General’s 23 metro and community newspapers are either part of or transitioning to a consolidated editing and design operation. The company expects to have all of its newspapers in a consolidated editing and design operation by the end of the year. Once all newspapers have completed the transition, Media General expects to realize annualized cost savings of more than $1 million from efficiencies related to this initiative, starting in 2011. The company intends to use a portion of the savings to focus on intensified local news coverage.

“Our consolidated editing and design operations allow our newsrooms to focus on strong local news reporting. Stories will be edited once rather than multiple times, and we can take advantage of economies of scale and centralization of top talent,” said Donna Reed, Media General’s Vice President of Content. “Our customers will be unaffected by this internal process change and all news decisions will continue to be made by our local editors,” said Ms. Reed.

Over the past 10 years, Media General has consolidated and centralized a number of broadcast functions, including traffic, master control and graphics, and newspaper functions, including printing and distribution and various call centers. This approach allows the company’s properties to focus on their local communities while creating resource groups that both increase quality and provide significant process efficiencies.

The Lynchburg editing and design center produces the pages for The (Lynchburg) News & Advance, Danville Register & Bee, and the company’s Rockingham, N.C., community newspapers. The (Manassas, Va.) News & Messenger and The (Waynesboro, Va.) News Virginian are in the process of transitioning there.

The Hickory, N.C., editing and design center produces the pages for the Hickory Daily Record, Statesville Record & Landmark, The (Morganton) News Herald, The McDowell News, and the weekly Mooresville Tribune. The Florence (S.C.) Morning News and (Concord & Kannapolis, N.C.) Independent Tribune are in the process of transitioning there.

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Monday, June 08, 2009

Henninger hot off the press

I'm happy to call designer Ed Henninger a friend.

I also consider him an adviser and mentor when it comes to designing newspapers, something I know just enough about to be dangerous. No surprise, then, that I devour his periodic "Helpful Hints."

Well, he's now compiled them into his latest e-book, "101 Henninger Helpful Hints," and I'd recommend you consider buying the download.

I'm not going to do a big review; he's got enough of that stuff on his blog anyhow. I'll simply suggest that if you haven't been getting his "hints" delivered every so often (and saving the PDFs), then this book at $15 or $20 (depending on the format you want) is a pretty good little investment.

And besides, he's unearthed this wickedly funny You Tube archive of ABC's John Stossel on graphic design:

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Monday, November 03, 2008

Henninger on Design - what a deal


Ed Henninger is a friend -- but also a pretty darn good designer.

I have not had enough time to sit down with his book that came out last year, "Henninger on Design."

But what I've seen, I really like. And now he's gone and put it on more half price: $25 for the CD and $20 for the PDF download.

He ain't payin' me to do this folks. Get your copy while it's hot -- and cheap.

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Tuesday, September 23, 2008

Chi Trib protypes out

The Chicago Tribune's redesign prototypes are out. They keep the old nameplate typeface, despite the earlier flirtation with changing it.

Judging from the comments in Crain's ChicagoBusiness, however, the readers who are writing don't like it much.

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Wednesday, September 10, 2008

More on Chicago Trib

Robb Montgomery at Visual Editors has a video that gives another look at some of the Chicago Tribune's redesign ideas.

Despite the brief dalliance with rethinking the Old English typeface of the paper's logo, what's seen here is in line with later word that the paper keeps the current nameplate but boxes it in blue and moves it to one side.

Design director Jonathon Berlin says expect combining some sections and a live feature section.

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Tuesday, September 02, 2008

The new Tampa Trib - a front page and 'charticles'?

UPDATE: This has been slightly edited to clarify a few points.

The Tampa Tribune made some history back in the "early days" of the digital upheaval, when "convergence" was the buzzword and everyone was talking about how to bring together print and TV operations.

It never really quite came off as envisioned -- the cultural gulf between broadcast and print seemed too wide. But that was then, and this is now, and as reported this summer, the economics have revived the continuous central news desk and given it new legs. (Just last week, the paper named the six people who will be its "audience editors," given the task of figuring out what the audience wants and needs and how to get it and deliver it.)

Now, the Tampa Trib apparently is poised to do something else that we are likely to reference in future years as possibly another milestone along the path of the redefinition (if not necessarily the reinvention) of "the newspaper" -- a one-section broadsheet with a few front page articles and almost nothing but briefs after that.

St. Pete Times media critic Eric Deggans says that on Friday his e-mail began to fill with rumors the Trib was looking at "a one-section broadsheet newspaper weekdays, with very few stories "jumping" or continued off the front page."

It's more than rumor. From contacts inside the Newscenter: They've been prototyping a one section paper with a few longer stories on front (even fewer of which jump) and nothing much longer than a few inches inside.

As described by eyes that have seen it: One section for everything, though business and sports have separate covers inside the main section. An all-local front, with only two stories jumping. Inside, are what are described as "charticles" and briefs, with few stand-alones more than a few inches. Reporters will write longer versions for TBO.com.

Saturdays and Sundays will have stand-alone sections, with feature sections only on weekends as the Home and Flavor sections are combined into a Sunday tab. Oh, and the width gets trimmed again, too.

There's also an expectation of more layoffs, though not among the reporter ranks this time. Three photographers were recently laid off, including one of the paper's better sports photographers, and the WFLA and Tribune photo departments are being merged.

Janet Coats, the paper's exec ed, pretty much dodged Deggans' questions, as he tells it, with one of these "everybody's looking at paging" responses and a rather curt "when we come to a final decision, I'll be talking my readers and not yours first." (Ouch. OK, so St. Pete and the Trib are mortal enemies.)

But I didn't spend all those years in the business not to know that when they start hauling out the prototypes for the hoi polloi of the newsroom, it's a lot more than just "we're thinking about it." Coats is right -- the folks at Media General HQ in Virginia have to have their say, but I'm willing to bet it, or something close to it, happens.

So why is it significant beyond what will be bemoaned in more than a few places as more evidence of the crumbling of the American newspaper? I think we are beginning the path down to what was predicted a couple of years ago -- the paper version really becomes a reverse-publish index of the Web.

There are really two dynamics at work here: the absolutely crappy economics of the traditional ink-on-paper business (Crappy as measured by traditional industry and investor metrics, OK? Let's save the debate on whether those are good, bad or indifferent for another day.) and the expansion, after much hype and promise, of mobile as a viable information appliance.

I expect we will see a lot more initiatives similar to what seems to be brewing in Tampa. But we are far from knowing what the final equilibrium will be. Yes, the iPhone has made a solid beachhead in establishing the idea of mobile appliance. But it has far more to go -- I expect a sort of Moore's Law in mobile, that the capacity of mobile devices will double about every two years.

Right now, much of our digital strategy -- and this includes companies far beyond media -- is of necessity tied to a multi-pound chunk of silicon and plastic. It's still basically a 9-5, desktop world online (even if the "desktop" is a laptop). As small, powerful information appliances and readers emerge, that single-hump graph of usage will smooth out or maybe become multi-humped. In any case, it will be another pressure point on the traditional newspaper.

The bottom line is that five years, and definitely a decade, from now we don't know what we'll be using to get our news and information. With usage patterns as they are now, a niche can be argued for the paper as we know it, delivered in the morning and serving as a quick scan that the world hasn't collapsed before the world gets to work and goes online. But as the digital audience flows outward past those current daypart constrictions, then the idea of a paper reverse-published as a sort of top index to the Internet becomes more intriguing.

Hearing that the longer versions will go to TBO.com is interesting, since in some respects that is old school - again, tied to the model of computing and information gathering as a chunk of silicon and plastic with a big monitor. But is the idea of putting longer stuff online counterintuitive if mobile devices become a primary way to access the Internet?

Eventually, I suspect these things will not only upend newspapers but all this stuff we've come to "know" about our Web sites, which might not really be sites at all but various digital streams.


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Wednesday, August 27, 2008

Chicago 'Trib' Redesign

Following up on the earlier post about Chicago Tribune execs pushing to change the Tribune's venerable nameplate, Editor & Publisher has come up with a prototype.


It emphasises "Trib" while still keeping, in small type, the Old English "Chicago Tribune." Stay tuned for more.

Update: Meanwhile, Crain's Chicago Business says another set of prototypes keeps the traditional nameplate lettering but puts it into a box format.

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Monday, August 11, 2008

'Chicago Tribune' nameplate in Comic Sans?

It's no secret Chicago Tribune designers have been under the gun to get a redesign of the paper done by the end of this month.

But apparently more may be up -- a complete redesign of the Trib's venerable nameplate.

While I was in Chicago, my contacts in Trib Tower told me that Tribune COO Randy Michaels (aka Benjamin Homel) walked into the designers' nest one evening, pointed to the nameplate and said, to the effect, "Are we really tied to that tired old typeface?"

So, I'm told, several mock-ups with different typefaces (I couldn't find out which ones) have been prepared.

This is all very interesting since Scott C. Smith, then the publisher, and then-Editor Ann Marie Lipinski went to great lengths in January, after the last redesign (which, it would seem, was far less ranging than the one coming up) to assure people that while the blue streak had been removed from behind the Trib's nameplate, the venerable Old English font was secure.
So we are introducing a new nameplate that exudes a less brassy and more contemporary look. At the same time, we have preserved our distinctive font, drawn in the style of Old English, as well as the American flag and the color we fondly call "Tribune blue." We hope those attributes are reassuring reminders of the paper's values and heritage.
But Smith and Lipinski are gone, and new owner Sam Zell apparently has designs on turning Tribune Tower into condos (if you put any stock in the numerous times I was told that by those with current and former ties to the newsroom), so replacing that huge Old English "Chicago Tribune" on the side of the building should not be a problem.

The only question is whether Michaels/Homel was just funnin', as he's been known to do. But there are reasons to think he's not. Consider this from a recent interview with a Tribune blogger:
We should grieve for those who have been downsized. We should NOT be mourning the loss of anything else. Everything has its time. Do we want to look like the Tribune of June 10, 1847? How about 1900? 1910? 1970? This paper has changed with the times, and must continue to do so.
So what will it be? The Trib in a nice simple sans-serif?

Chicago Tribune

Or what about Planet Kosmos, since Zell et al., keep talking about looking forward, not to the past:

Or maybe Comic Sans? After all, they want to lighten up a bit.


What are your suggestions for Randy & Co.? (Typeface, folks. Nothing else - this is a family blog.)

In fact, what typeface do you think captures best your local paper's true being?

Put it in the comments. Even better is if you can put a screenshot up on something like Flickr and link to it so we can see it. (If you go to Font Seek, you can find hundreds of fonts. Many of the sites to which it points you have a free-try box - type in some text and it displays in that font. Then, it's as easy as taking a screenshot and posting it.)

Update: See new post with picture of prototype from E&P

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Wednesday, June 25, 2008

Orlando Redesign

Plenty has been written about Orlando's redesign, partly because it is the coming out of the Zellanistas at the Tribune and because Tribune provides one of the largest testing ground for this kind of design that is heavy on color, label heds, "news you can use" and "fear news," etc.

If you haven't you should go read some of it. Try Alan Mutter (and his follow-up) and Alan Jacobsen, the principal of Brass Tacks Design.

Why should you pay attention? Because the redesign serves as an icon for many of the conflicting currents cutting through the industry. Go read the comments on Mutter's post to get a good feel for them.

David Sullivan has a good post, too, one that puts a little leavening into Jacobsen's. (The Orlando redesign is a lot like what Jacobsen has done at some other papers.) As David notes, Jacobsen's main point -- that old news in a new design is still just old news -- is well-taken, though Jacobsen could have been a bit more transparent about his role in the other papers. (And as Charles Apple's blog notes, the prototypes were pulled together rather hastily and there is every promise to produce different content.)

Two things about Jacobsen's prompt me to write.

1) Quoting Jacobsen: The off-lead reports on excessive fees charged by lawyers. While this story is an excellent example of watchdog journalism, it's not the kind of story that makes people want to pick up the paper. Here's why: This story is important, but it doesn't provide information that most people can act upon. The average, time-starved newspaper reader is hard-pressed to right this wrong. To them, a story like this is important, but not relevant to their daily lives. These readers focus on what they can control and what affects them directly on a daily basis. Research has shown that relevant stories, rather than important ones, drive single-copy sales.

Which then prompts the question: OK, where would you put the "important" stories? I'd like to hear more from him on this because it gets to the essence of journalism -- balancing the important to the grand scheme of things with the important to you. Taken to its extreme, of course, one could set up the straw man argument that this would mean the stories of how the administration set up a secret program to listen in on phone conversations, etc., really wasn't lede or offlede material because, well, not much I can really do about that. So where do we find that balance? (Also, what's the emphasis on single-copy sales. From what I've seen, darn few papers have robust single-copy sales anymore, and I don't recall Orlando being among them. Someone correct me. Or is the subtext here that in this Internet age a projection is being made that single-copy sales are once again going to gain some traction?)

Having said all that, do pay close attention to what Jacobsen says about people's orientation toward what they can and cannot control; I fear too often we forget that basic aspect of our business.

2) Interestingly enough, there was a comment at the bottom of Jacobsen's post pointing out a quote by the chief executive of the Bakersfield Californian -- one of the papers Jacobsen has redesigned -- in the Wall Street Journal (for those of you with a subscription). But two hours later, it's no longer there. I don't know whether Jacobsen removed it, (perhaps because it was anonymous and did not include the full text for the quote), but if so, he still did himself a disservice by raising questions about his transparency. Here's what the CEO said:

Past experience shows newspaper makeovers don't necessarily translate into financial success. After the Bakersfield Californian underwent a drastic redesign two years ago, the 60,000-circulation paper in California's Central Valley saw a small initial jolt to circulation and revenue, sparked by the brighter look and expanded coverage of hot topics like immigration. But the gains have been erased as the area economy struggles. Bakersfield Californian Chief Executive Richard Beene says the steps were necessary to keep the paper relevant, but he has advice for others considering a similar redesign: "Don't expect it to turn around circulation or revenue overnight. It's not a magic bullet."
Certainly, there's more there than just a redesign. But it's also something to think about.

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Monday, February 12, 2007

New design book

Design consultant Ed Henninger, a friend, writes that he's got a new design book hot off the e-press and awaiting your PayPal payments.

Find details at http://www.henningerconsulting.com/henninger_on_design.html

I'm no design expert -- far from it (I know enough Quark to be dangerous) -- but I do know Ed is one of the most dynamic speakers on the topic that I've ever had the pleasure of working with at editing conferences. I've seen his stuff, and I like it. He specialty is smaller papers and, as I like to call it, "design on a dime of time" -- practical advice for desks that already are strapped for time.

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